Francisco Moreno: Historia Sintética
17 April 2025

Francisco Moreno (b. 1986, Mexico City) is a Mexican-American artist whose work reimagines history, myth, and identity through a bold visual language that merges Old Master painting traditions with contemporary and fantastical influences. Raised between Mexico and the United States, Moreno explores the complexities of cultural hybridity and belonging. His practice often incorporates references to art history, religious iconography, and Mexican symbolism, which he collides with science fiction, surreal imagery, and invented narratives. The result is a layered body of work that questions power, heritage, and the ways in which stories are told.  

For Dallas Contemporary, Moreno will present several major bodies of work, including The Chapel, an immersive painted work inspired by a Spanish Byzantine chapel, from the Dallas Museum of Art’s collection and a recent series of mural-scaled paintings that have never been shown. This will be Moreno’s first solo museum presentation and will be curated by guest curator Thomas Feulmer.

Portrait of Francisco Moreno. Image courtesy of the artist. Photo: Kevin Todora.

Moreno earned his BFA in Painting from the University of Texas at Arlington and his MFA from the Rhode Island School of Design. His work has been exhibited nationally and internationally, with solo presentations at institutions and galleries across the U.S. He is the recipient of numerous awards and grants, including support from the Nasher Sculpture Center. Moreno lives and works in Dallas, Texas.

Thomas Feulmer is a Dallas-based curator and Curator at The Warehouse, a jointly operated nonprofit art foundation formed in 2024 by Howard Rachofsky and Thomas Hartland-Mackie, where he has worked since 2004. His recent exhibitions include Sound as Sculpture (2022), exploring how artists use sound to shape space and perception, and For What It’s Worth: Value Systems in Art since 1960 (2024), a major survey of conceptual practices co-curated with Lisa Le Feuvre. His past projects also include Modern Ruin (2011), a two-day exhibition staged in an abandoned WaMu bank building.

Francisco Moreno: Historia Sintética is supported in part by the City of Dallas Office of Arts and Culture, the Dallas Art Fair Foundation, Khaite, Ann + John McReynolds, Tammy Cotton Hartnett, Donna + Reed Cagle, Christina + Sal Jafar, Joyce Goss, Greer Goss, John Clutts + Dr. Sami Arslanlar, Kaleta Blaffer Johnson, Catalina Gonzalez Jorba + Santiago Jorba, Karla + Mark McKinley, Patricia Miller, Shelby Wagner + Niven Morgan, Carly + Micah Nance, Kathleen Cruz + Rogelio Reyes, Jill Parker + Rod Sager, Dr. Travis Vandergriff, Tori Richard Mulford + Ross Mulford, Megan + Brady Wood. In cooperation with the Dallas Museum of Art and Patron Magazine.

For press inquires please contact press@dallascontemporary.org

Francisco Moreno, The Allegory of Weed Gummy and Alcohol Induced Anxiety, 2021. 51.2 x 76.8 in. acrylic on canvas. Image courtesy of the artist. Photo: Kevin Todora.